In the long run it can also destroy the media itself. It turns out that pure tones do not occur naturally, and when a piano or violin produces a high C, the sound wave is made up of a specific combination of different pure tones. Guest post by Ben Burrell at Sapphire Sound. I do a lot of live recording directly off my Yamaha MG206 using channel inserts which are pre EQ, pre fader, etc. The real difference lies in each individual mixer and the quality of your audio interface. All level controls, EQ and any distortion happens in the digital world before being converted to analog. Record players have made a comeback over the past decade. If you are looking at a cheaper digital desk (without mentioning any specific brands) chances are that it will have sub-par preamps and if compared side by side to an analogue console you would be able to hear an overall loss in quality. Before the advent of Avid’s Pro Tools and the mass adoption of mixer technology, many professional audio engineers used analog mixers. Depending on how many of these devices you have or need, they can end up taking up a lot of space and costing a lot of money. There can be some discrepancies or changes from the original analog sound because digital recording can use different techniques to encode the audio. In a recording studio this is called the “master tape” and it is then distributed to reproduce the original recording. We got Native Instrument’s take straight from none other than Stephan Schmitt, who created professional analog mixing consoles before founding NI. Not everyone had access to a station where they can play, unlike today where any musician can stream live from their Internet connection. One of the downsides of digital mixers is that not all controls are directly available on the surface. If you zoom in on a single groove of a vinyl record and look at it from the side, the shape would resemble one of the phonautograph drawings. In this case the mixes were already brick-walled before they arrived at my place. Chances are that your church will be in one of three boats: 1) You don’t have anybody with enough knowledge or experience to make the decision themselves, or The different amplitudes and frequencies have nice relationships with one another, which is why you hear a specific note rather than a mess of clashing noises, but the single pitch you hear does not correspond to a single frequency. Whether analog or digital, you can do a good job or a bad job of it. note: by making music with a high loudness, you could make the needle of a turntable damage and jump grooves wildly and without remedy). To cater for this aspect, Traktor offers the choice between a generic, “mathematically ideal” EQ on the one hand, and a selection of EQs emulated from actual high-quality hardware mixers on the other hand. Now that digital music is starting to become less and less poorly-mixed, you’d think that vinyl would be on its way out again. DJ Techtools - The largest community for DJ and producer techniques, tutorials, and tips. If you ask me, it’s just like trying to figure out how you want your pizza: as long as you’re using quality ingredients, you’re not going to be disappointed with your meal. The QSC is way superior in everyway IMO. The most striking thing about this is how often my fellow techs and band members say, without any prompting from me, how much better things sound, without realising that only the console is different. So music is really a combination of both analog and digital techniques. Rane makes analog mixers that sound good no matter how hard you push them, and digital mixers as well. “Chance are usually no, they’re not.”, Everyone we asked had different opinions on the importance of summing circuits, but they all agreed on one important fact. No, that’s not a typo: the catalyst for the renewed backlash against loud music was Guitar Hero. Which operating system you use can actually play a part in the the latency and performance of audio coming out of your computer. Vinyl records, cassette tapes and 8-track are examples of analog distribution media. The machine was called a phonautograph. You can design an analog product where the audio clips the voltage rails and sounds like hell. I’ve heard the analogy that ‘investing in a new analogue sound board is like buying a VCR to record your services on.’ It seems like the general consensus of techs in churches is to push for replacing their aging analogue desks with smaller, flashier, digital mixers. Having stated this, I think the easiest way to mess up a mix is to use compression poorly. The exception to this trend is a much smaller group of people that are clinging to classic analogue consoles in a desperate attempt to save them from complete extinction. If you go with a digital console and digital snake, instead of the heavy analogue cabling you can simply run one or two inexpensive CAT5 or CAT6 network cables directly from your mixer to your stage and pass all of your audio inputs and outputs through it. The other convenient part of an analogue console is that every aspect of control available on the desk is directly accessible by a physical knob, button, or fader. However, for the boat 3 churches, I would still recommend getting a good integrator in before you make any decisions (you will need one to purchase the console from anyways). note: it didn’t). Vinyl may be an underdog to streaming, but it has outlasted the CD. “That’s not necessarily true. In addition, factors like cost, ease of use, and surface access to all parameters continue to drive some buyers towards analogue consoles. The summing on those Yamaha MG series boards is terrible. They believe the analog components sound superior to digital, i.e., that they give a warmer and richer sound. Considering my own experience with these mixers, I am guessing that you have over-processed on the XR18. Sound quality in an analogue mixer (assuming it’s of at least relatively good quality) was certainly better than the original digital mixers and is arguably still better than many new digital mixers. Some of the credit probably goes to the hipster trend toward retro everything, but music lovers often claim records just sound better than digital music. Overall, both consoles have value in different situations. The ADC and DAC inherently cause a very small time delay, called latency. The quality ultimately boils down to the superiority of the recording and sound system. We have a feature on the setup screen called overdrive where you can adjust how much headroom is available in the mixer before the output limiter kicks in.