Sun Jae, who meets Jae Yi, is left with no choice but to reveal why he checks on her identity by telling her that Kwang Ho came from the past, and is in fact her father. After a series of mind games interrogating the fiend who does not feel remorseful of all his wrongdoings, Kwang Ho and Sun Jae get him to confess to his sins. Professor Mok and Kwang Ho scuffle inside the tunnel and along with a powerful thud from a wrestling move, Kwang Ho is again mystically transported back to his time. However due to the lack of evidence, he is released by the station chief police. While in captivity he embraced the communist cause and offered to spy for the Soviet Union. But he loses consciousness when the psycho smashes him with a heavy rock. Kwang Ho and Sun Jae learn of Mok’s visit to Ho Young before his passing, but he smoothly reverts their interrogation to just being curious, making Kwang Ho starts suspecting him. Said to be “based on true events” (which puzzlingly stumps Mr. Google) the story centers on harried Everyman Jung-soo (Ha Jung-woo). Despite the predictable plot by most viewers, the bends and curves in decrypting the identity of the villains are what mostly made Tunnel an addictive drama exhibit. On that note, one of the strongest points is how these two creepy villains become each other’s impetus to their killings, which in turn makes everything hard for the main protagonists. The climactic capturing of the anti-hero hits a short lived momentous spot as the writer of Tunnel seems keen to give the viewers every detail he knows in dealing with a psychotic. A detective from 1986 is transported 30 years after to solve a serial murder case that has a connection to the killing outbreak he was investigating in the past. Miraculously he survives, but his severely damaged car only has a little space around it, trapped between literal mountains of rubble. It has numerous waterfalls and natural wonders. Kwang Ho returns to his time, helping out a pregnant woman who gives birth to a son, whom she named after the detective who kindly helped her. Professor Mok overhears Ho Young’s attempt to confess on the killings 30 years ago so upon knowing there is a witness to his crime, the latter pays him a visit. Tunnel is nice because i love crimes and mystery drama. The police unit fails to apprehend Jung Ho Young in his presumed hideout, and belatedly learns of Professor Shin Jae Yi’s dangerous move of volunteering himself to cause Ho Young to come out from his shell. Tunnel: Synopsis korea.iyaa.com. Tunnel feels like a three-part theme park ride, where the Grand Viking opens the course with its stable and exciting momentum before surging to a heart stopping Roller Coaster ride, and finally plunging to oblivion inside the gravity defying Gyro Drop. The True Story of Pocahontas; From the start to the end, the enigmatic package of the story did not rest even for a second. The series was a hit in China. Many visitors remember seeing fields of yellow canola flowers and the bright blue of … This superb cop drama premise gives an exhausting ride as you feel the frustrations and high moments of the detectives trailing the clever villains. As time is running out before the prosecution office takes over the case, Sun Jae and Kwang Ho pressures him for another interview. Your email address will not be published. It is also not as gritty and bloody as the contemporary dramas of police procedural genre. He learns of his wife’s unfortunate car accident and missing child. The revelation of the main leads’ fated entanglement displays one of the highlighted themes of the story – family love, and the lack of it. In 1986, detective Park Kwang Ho (Choi Jin Hyuk) from Serious Crime Unit of Hwayang Police station probes on a series of killings, targeting women who are marked with strange dots on their ankles. I like too, good drama, the story, excited me. Jae Yi regains consciousness and fights for survival against the vicious psychopath. Unbeknownst to them, the autopsy doctor Professor Mok is the serial killer from the past. The visual concept goes relatively easy on the claustrophobia element so it never feels oppressive; that’s partly due to Kim Chang-ju’s canny editing as much as DP Kim Tae-sung’s camera placement, which often allows Jung-soo just enough space and light for viewers to feel emotionally rather than physically close. He attempts to go back to his year many times by running inside the mysterious tunnel, but to no avail. On the other hand, the villains, who were not loved by their families, become inhumane monsters, resolved in justifying senseless killings as a fair deed since life was and will never be good to them. "Tunnel" is not a perfect drama but it's a good addition to the ever-growing crime genre in Korean dramas. He finds young Mok Jin Woo to arrest him, but he runs fast to the tunnel – where he is sent to the future again. Ho Young is questioned, but substantial evidences are needed to pin him down for the crimes he committed 30 years ago and present time. He’s driving home through the new Hado Tunnel when cracks suddenly appear in the ceiling, and then the whole thing monumentally caves in — kudos to Kim Nam-sik’s well-handled visual effects. It is nice how the synergy of the crime unit team is focused like they are playing real detectives with their immersion to their respective roles. They set a ploy for him to be finally captured. The main villain and the sub-villain depict an allegory of straight wickedness and disguised atrocity. earnings after an Aug. 10 opening have been strong, with 1.8 million admissions the first weekend; a targeted stateside release Aug. 26 should see a small but enthusiastic response from Asian action fans. Just when she is about to collapse, she blows the whistle given by her mother and alerts Kwang Ho to her direction, saving her life in the nick of time. Bu this time like Signal, kind something plot story. By the end, the bounds of believability are stretched beyond breaking point, yet sympathy for the guy is so strong, and Dae-kyung’s decency and insistence on continuing despite diminishing resources so disarming, that it’s possible to suspend disbelief and just go with it. His phone fortunately still has a signal (and 82% power), so he calls 911 and his wife Se-hyun (Doona Bae), and he’s told to sit tight. She is successful with her plan, but he knocks her down as the police learn of her dangerous moves and heads to where she has set up the trap. Though unlikely to match the success of the director’s earlier “A Hard Day,” it shares with that film a biting critique of Korea’s government, wrapped in the kind of direct, personal drama that climaxes with lump-in-the-throat pay-offs for the emotionally susceptible.