Whenever you reach that point on a track where you think that it’s ready to send it to a record label, you need to pause and ask for feedback. They will either tell you to send them an email first (in which case you can collect the A&R’s email), or you’ll be able to schedule a meeting straight away. If you’ve built a decent relationship with an employee, then you could use something like “Thought you’d like this”. All of this means that the 25% slice you receive becomes very small if the main sales gateways are through physical distributors. Hopefully, you’ll find a .com that you like. Note that anybody on Facebook can list any company as their job. When you're trying to decide whether your ideal home is with an independent label or a major label, keep the pros and cons in mind. Be sure to change the permissions to make sure that ‘anybody with the link can view.’ You want to make this as painless as possible for the other party – especially if you’re going with a cold email. Bands can be great as long as you all agree upon who owns what. For example, access to a proven act might be dependent on also giving airtime or space in print to an up-and-coming act. Avoid using copyrighted material – unless you have a potential chart topping #1 hit in your hands, labels are not too eager to release music that contains copyrighted material. Artists getting taken advantage of is a pretty common situation that happens in the entertainment industry. You know the saying ‘First impressions last’? Export the right quality – make sure to send tracks in the right format. Overall, they want to get their clients the best deal and see them succeed. For private SoundCloud uploads, make sure all track tags are set correctly and that your email address is in the description. You don’t have any guarantee until the release of the commitment from the music record label. Essentially, all labels are looking for a hit. Different types of record producer deals Growing these relationships can be a tough task though. Before you pay a percentage of royalties, the registration label can usually receive its costs by so-called “exemptions”. Streaming and digital may have overtaken physical music sales, but vinyl and CD still remain important revenue streams for most genres. Get friendly, be yourself and invest a load of time. With the rise of all the social networks and other online tools, it’s easier than ever to market yourself independently as an artist. It’s easy to get caught up in all the buzz and chaos of your music career taking flight, but don’t lose sight of why you first started. record labels Once you’ve developed a rapport online (this takes some time) and you feel comfortable enough to chat privately you should send a Facebook friend request. Here’s the minimum of things that you should have sorted out: Socials Go to FatWallet or RetailMeNot and find a code that offers an 80%+ discount on .com domains. With this approach, I have signed tracks of hardly known artists to internationally reputed labels. If you don’t have a response after a week, it’s alright to send a reminder. The factors that contribute to that are great music, a (big) fanbase, good marketing, and dedication. Before you know it, you’ll have developed a little network of people you never thought you’d be in contact with. Make sure all of your social and branding are on point before you do. It’s time to connect with them, everywhere. In a typical major-label deal, the artist will earn somewhere between 14 and 18 percent of the record's dealer price (PPD) which may be between £6.50 and £8.50. It is highly recommended to have an entertainment lawyer or music lawyer present when you are talking to the company who is offering you the deal. Decades ago, distributors were hugely important as that is how you got your stock into record shops where people bought their music. do that by going to GoDaddy and executing a domain search. Listening to all that music is a pain in the ass. Great music is rarely all it takes when you’re looking to get signed. Get feedback A key man clause gives you an out if the point person you were working with at the record label ceases to be involved, but such bargaining power is against you when you sign a major label deal. If you didn’t score with the label that was first on your list, it’s time to move on to the next one. Re-coupables depend on the contract but can include everything from marketing costs to lawyer fees and even some manufacturing costs. Because they have higher revenue than smaller labels, they have more cash on hand to spend on promoting your record—which is exactly what you want. If your music doesn't start selling, you can find yourself with a record out that isn't getting much promotion and a label whose representatives don't return your phone calls. The email’s subject line is important too. Entertainment lawyers usually charge an hourly fee or a percentage of the money value of your deal. If not, then I highly suggest you either send your polished track over to a friend who does know this stuff, get it sent over to an audio engineer or learn how to do this yourself. For Google Drive, make sure if you send over a Google Drive link make sure your track is organized in the right folder before grabbing its share link. Respond to content, refer them to something they’d appreciate or simply say ‘hi’. If you cannot come to an agreement then an entertainment lawyer is highly recommended. Chase Lawyers And How They Represent Artists, Chase Lawyers represent music artists frequently. With a little luck, the people you meet first will make meeting the others easier. It doesn’t matter what you were told, the contract could mean something totally different. The longer you talk, the more acquainted you get. Upload a streaming version and a download The smaller labels either let it slide and hope they don’t get caught, or have to pass on those tracks altogether. Like how recording contracts and record deals work for musicians. Bands can be great as long as you all agree upon who owns what. A record label approved your skills and provided you with a lifetime deal. All Rights Reserved. This should mean that labels invest in their own e-commerce platforms and push this as the main sales gateway, but a surprising number of labels still choose to sell most of their product through traditional distribution channels which lose significant amounts of profit. If it’s a decently sized label, I’d simply go with calling up their offices, asking for the A&R, explaining who you are and telling them that you’d love to meet. This is the easiest of all the steps we’ve discussed. Lastly, do not sign a licensing deal without a music attorney. If you are in a band hire an entertainment lawyer to negotiate who owns the copyright to the songs, how royalties are distributed, who owns the band name and etc. Now, if you’re a producer, then you probably know how to put down a decent mix and master. When you sign a major record deal, you are often signing away a large percentage of your record sales. Remember most of all – fortune favors the bold. They will make sure their clients understand their contract before they sign and advice them on any issues within the contract. Use correct file names and ID3 tags – tracks and emails tend to get lost. Don’t send a demo submission to multiple labels at once. managers Protect yourself and your music by letting a third party decipher the legal jargon you may not understand. If you are a songwriter who is about to sign with a publisher have an entertainment lawyer present to make sure you are getting the right deal. Budi Voogt . Make sure to cross reference everything – you might find an email address on their website that’s not on their FB page, etc. Many musicians who are just starting out don’t realize they have no obligation to accept the contract in its original draft. Just imagine what would happen if two of them said yes at the same time. Though signing a record deal is an exciting and momentous experience, one of the biggest negative connotations comes from the fact that artists are often asked to give up some of their creative freedom.